A Mocked and Paid Litany


Nakba all around me
June 26, 2008, 1:09 pm
Filed under: israel, palestine, politics, socialism

This Mick Hartley post quotes this Guardian article, and I excerpt:

Regarding Jews in Arab states:

Today 99.5% – all but 4,500 – have gone. As the historian Nathan Weinstock has observed, not even the Jews of 1939 Germany had been so thoroughly “ethnically cleansed”.

The displacement of Jews from Arab countries was not just a backlash to the creation of Israel and the Arabs’ humiliating defeat. The “push” factors were already in place. Arab League states drafted a law in November 1947 branding their Jews as enemy aliens. But non-Muslim minorities, historically despised as dhimmis with few rights, were already being oppressed by Nazi-inspired pan-Arabism and Islamism. These factors sparked the conflict with Zionism, and drive it to this day.

The Jewish “Nakba” – Arabic for “catastrophe” – not only emptied cities like Baghdad (a third Jewish); it tore apart the cultural, social and economic fabric in Arab lands. Jews lost homes, synagogues, hospitals, schools, shrines and deeded land five times the size of Israel. Their ancient heritage – predating Islam by 1,000 years – was destroyed. [emphasis added]

Over 120 UN resolutions deal with the 711,000 Palestinian refugees; not one refers to the greater number of Jewish refugees.

The resolution is about recognition, not restitution, although Jewish losses have been quantified at twice Palestinian losses. Such resolutions could lead to a peace settlement by recognising that there were victims on both sides. Thus justice for Jews is not just a moral imperative, but the key to reconciliation.

Moreover, a major hurdle to peace could be removed if the Palestinian “right of return” were counterbalanced by the Jewish right not to return to Arab tyrannies, recognising a de facto population exchange of roughly equal numbers.

I have conservative Jewish friends who would leap from this to the conclusion that criticism of the Israeli state and leadership for the situation in Gaza and the West Bank is unnecessary and irrelevant, but this is cowardly. It’s about time that the friends of Israel realise that a real friend will criticise, whilst standing by them. I’m serious when I say that I support the state of Israel, which means I have no reservations about fiercely criticism its government and its policies. We should shun those who focus unfairly on Israel while ignoring countless other problems elsewhere in the world, often on their own doorsteps, in order to advance their own agendas, but we should not let the dishonesty of others subvert our own sincere efforts at reason and progress.

Still, this is a side of the story that I think we could do to hear more of. It’s not as if our media is biased against Israel – far from it – but people seem curiously unable to make such elementary points as these in support of their own positions. The socialist nature of the Zionist project during the 40s is another little nugget I learned recently that I’m sure would make the “anti-Zionist” (we’re not anti-semites! we swear! we just have anti-semitic friends!) Resistance and Socialist Alliance comfortably uncomfortable.

I think it’s about time that those who hawk newspapers bleating “STOP THE PALESTINIAN HOLOCAUST” are made to see just how silly they sound. Being nonchalant about the legitimate concerns of the Jewish side of the Israel/Palestine question, and pretending an overnight two-state solution combined with the removal of U.S. influence would solve the problem, doesn’t make you bold and doesn’t make you a revolutionary. It just makes you look unserious about justice and real progress.

Far too many ‘idealists’ think that if a solution or a bit of change isn’t completely idealistic, it must be rejected wholly. This is how ‘radicals’ and ‘revolutionaries’ have become forces for conservativism, and it’s a shame.



not the humans you thought they were
June 26, 2008, 10:26 am
Filed under: music

I saw the Mars Volta live last week. It was numinous – I haven’t experienced anything like it before.

I’ve heard people bullshitting about the “energy” between a band and the audience before, and I don’t buy into much of it, but I really think that idea applies here. From the moment the band walked onto the stage, you could tell that everyone got the sense that they were just there to play music for you – not to Perform or to get through a certain number of songs, but to create an actual musical experience.

They played for more than three and a half hours, without stopping for even a moment.

I would almost call it traditional, because of the complexity of the compositions and the teamwork and interaction between band members, as well as Omar’s strong leadership, but I don’t think any traditional or classical music is so dynamic and allows so much improvisation whilst being so tight.

Omar would scurry around the stage telling the others what to do (while playing guitar), giving instructions and formulating complex plans, like in a cool battle with guitars and.. spaceships and stuff. You could catch Omar signalling the band when to drop. Band members would start their own Thing going and the rest of the band would accommodate it, and allow the focus to shift to whoever had something funky happening.

At one point, amongst incredibly heavy drumming and complicated keyboard compositions and the bass rhythm, a sort of improvised competitive game thing developed between Adrian on his sax and Omar. Omar would do something really complicated on the guitar and Adrian would try to emulate it. The stakes grew, with the rest of the band being cocky fuckers as they realised what was going on, and then Omar turned it onto the drummer, who was exhausted, and had the whole band wordlessly taunting him and egging him on. And all of it was a small arm branching off of another arm that was incorporated into.. some more arms.. that fused with the overall anthem and oh god it was amazing.

I’m unable to get a grasp on the ideas I’m trying to evoke, mainly because I have no musical training – something I regret. There’s a real sense, though, that this is what music is about. This isn’t just entertainment or showmanship, it’s real art. Of course there’s plenty of modern music that’s truly artistic, and I’m not really qualified to assess the art, but I’m still going to say that The Mars Volta sits at the top.



Orwell: no longer any need to placate them
June 25, 2008, 8:05 am
Filed under: politics, socialism

rah rah rah, it’s Orwell’s birthday today.

I saw a woman at Pitt St. Mall today who was reading 1984 and looked incredibly bored. Bitch.

Writing to an audience that may not actually have existed, the strength of his words was possibly enough to contribute to the creation of that audience. It seems like there’s nothing nobler.

A little something for all the Castroists who post quiet revisionist analyses about how Orwell was really a Tory more-or-less solely responsible for the decline of the socialist project, and also McCarthyism and World War Two:

Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic socialism, as I understand it.

I don’t know how the man got into the English syllabus, amongst all the mediocrity, but it’s something to be happy about. There’s a school of thought holding that 1984 and Animal Farm are only in there to instill a fear of revolutionary ideals and a drab political conformity amongst students. This is bollocks. No one who understands either of said books could describe them as conservative (or “ruling-class propaganda”, thanks Links, see below). I pretty reckon that young people reading books that argue against Stalinism, statism, censorship, euphemism and one-party leadership is a Pretty Good Thing.

A pearl of wisdom from the relativists at the Links International Journal of We Love Hugo Chavez:

It is worth noting in passing that Marx himself, despite being an infinitely better writer and thinker than Orwell, had an entirely different attitude towards ordinary people

Gosh. Despite being a better writer and thinker, he had different attitudes? Step back everyone, profundity has entered the room.